Prepared by Cara Gilgenbach,
2 document cases, .66 cubic foot, 11th floor
This collection contains publications by Helen Osterman Borowitz including
articles, reviews, essays, and exhibition guides. A list of books and exhibition catalogs by Helen Borowitz is available via KentLINK.
Statement of Arrangement
Materials are arranged by type of publication and then chronologically
within each group.
Box 1 Folder
"Michelangelo's Harsh Music," Art Journal. 29.3 (Spring
"Visions of Salome," Criticism. 14.1 (Winter 1972): 12-21.
"Youth as Metaphor and Image in Wedeking, Kokoschka, and Schiele,"
Art Journal. 33.3 (Spring 1974): 219-25.
"The Paint Beneath the Prose: Ford Madox Ford's Pre-Raphaelite Ancestry,"
Modern Fiction Studies. 21.4 (Winter 1975/76): 483-98.
"Balzac's Sarrasine: The Sculptor as Narcissus," Nineteenth-Century
French Studies. 5.3/4 (Spring-Summer 1977): 171-85.
"King Lear in the Art of Ford Madox Brown," Victorian
Studies. 21.3 (Spring 1978): 309-34.
"The Scalpel and the Brush," Case Western Reserve Medical Alumni
Bulletin. 62.1 (1978): 4-8.
"Making Rounds at the Cleveland Museum of Art," The Bulletin
of The Cleveland Medical Library. 24.3 (July 1978): 53-67.
"Two Nineteenth-Century Muse Portraits," The Cleveland Museum
of Art Bulletin. (September 1979): 246-67.
"Critique and Canard: Henri de Latouche at the Salon of 1817,"
Gazette des Beaux-Arts. (September 1980): 63-74.
"The Man Who Wrote to David: Henri de Latouche at the Salon of 1819,"
The Cleveland Museum of Art Bulletin. (October 1980): 256-74.
"The Case of the Plaster Narcissus" (with Albert Borowitz), The
Gamut. no. 4 (Fall 1981): 21-28. [photocopy]
"The Watteau and Chardin of Marcel Proust," The Cleveland Museum
of Art Bulletin. (January 1982): 18-35.
"The Unconfessed Precieuse: Mme. de Stael's Debt to Mlle. de
Scudery," Nineteenth-Century French Studies. 11.1/2 (Fall-Winter
"The Rembrandt and Monet of Marcel Proust," The Cleveland Museum
of Art Bulletin. (February 1983): 73-95.
Box 2 Folder--Contents
"A Medical Tour Through The Cleveland Museum of Art," Cleveland
Clinic Quarterly. 50.4 (Winter 1983): 417-37.
"Painted Smiles: Sad Clowns in French Art and Literature," The
Cleveland Museum of Art Bulletin. (January 1984): 23-35.
"Three Guitars: Reflections of Italian Comedy in Watteau, Daumier,
and Picasso," The Cleveland Museum of Art Bulletin. (April 1984):
"The Scalpel and the Brush: Anatomy and Art from Leonardo da Vinci
to Thomas Eakins," Cleveland Clinic Quarterly. 53 (Spring 1986):
61-73. [Note this is an expanded reprint of the article originally published in the Case Western Reserve Medical Alumni Bulletin.]
"No Strings: Some New Sources for Manet's Polichinelles," Nineteenth-Century
French Studies. 15.4 (Summer 1987): 425-446.
Review of The Sculpture of Edgar Degas by Charles W.
Millard. In Nineteenth-Century French Studies. 6.3/4 (Spring-Summer
1978): 317-19. [photocopy]
Review of Champfleury, The Realist Writer as Art Critic. In Nineteenth-Century
French Studies. 10.1/2 (Fall-Winter 1981): 172-73. [photocopy]
"How Artists Look at Punishment" (with Albert Borowitz), Review
of Pictures and Punishment by Samuel Y. Edgerton, Jr. In Senior
Lawyer. (January 1986): 6.
Review of (with Albert Borowitz) Pictures and Punishment: Art and Criminal
Prosecution During the Florentine Renaissance by Samuel Y. Edgerton,
Jr. In The Maryland Law Review. 45.4 (1986): 1066-70.
Review of The City as a Work of Art: London, Paris, Vienna by Donald
J. Olsen. In Nineteenth-Century French Studies. 15.4 (Summer 1987):
Exhibition Guides (brochures or booklets)
The European Vision of America: Notes on the Exhibition,
published in conjunction with the bicentennial exhibition The European Vision
of America, December 1975-January 1977 shown in Washington, DC, Cleveland,
OH, and Paris.
Impressionist and Post-Impressionist Masterpieces: The Courtauld Collection,
published in conjunction with The Courtauld Collection exhibition, January
14-March 8, 1987.
"Japonsime: Japanese Influence on French Art" in A
World View of Art History: Selected Readings. Dubuque, Iowa: Kendall/Hunt,
1985. pp. 299-303. [photocopy]
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